Online Tickets are $20 - $25. Tickets at the door are $30.
FINAL WEEKEND: SEPTEMBER 13 - 15!
JUST FOUR SHOWS LEFT!
GET TICKETS AT THE DOOR!
Doors open 30 min before showtime.
Performances:
Friday: 7:30
Saturday: 2:00 & 7:30
Sunday: 2:00
FINAL WEEKEND: SEPTEMBER 13 - 15!
JUST FOUR SHOWS LEFT!
GET TICKETS AT THE DOOR!
Doors open 30 min before showtime.
Performances:
Friday: 7:30
Saturday: 2:00 & 7:30
Sunday: 2:00
The Android's New Soul:
A Sci-Fi Rock Musical written in the 1970s by a Teenage Girl
Created & Produced by Dana Cain * Directed by Jeff LaGreca
Book by Dana Cain & Jeff LaGreca * Lyrics by Dana Cain
Music by Dana Cain & Mark Putt
The Bug Theater
3654 Navajo St, Denver CO
September 6 - 15, 2024
Experience the fun, the action, the laughs and the heartbreak, as a woman reprograms an android to be her boyfriend.
The Android's New Soul tells an unlikely love story of a woman scientist and a sexy android in a radiation-plagued, mutant-filled post-apocalyptic California. This sci-fi musical, written in the 1970s by a teenage girl (Dana Cain) has been expanded and modernized, while still maintaining the charm and unintentional humor of her teenage lyrics.
The Android's New Soul tells an unlikely love story of a woman scientist and a sexy android in a radiation-plagued, mutant-filled post-apocalyptic California. This sci-fi musical, written in the 1970s by a teenage girl (Dana Cain) has been expanded and modernized, while still maintaining the charm and unintentional humor of her teenage lyrics.
READ THE REVIEWS!
"Wonderfully Weird! ...Led Zeppelin meets Rocky Horror meets George Jetson!"
- Chris Parente, KWGN News
"Campy sci-fi musical is a blast ... both imaginative and touching"
- Toni Tresca, Onstage Colorado
"...No expense was spared; everything was done first class. A complete multi-layered set designed by Matt Graff and Tim LaGreca gave dimension and drama to the action. They also designed the ominous-looking weapons and whimsical puppets used throughout. The unique costumes designed by Nicole Watts are a wonder to behold."
- Beki Pineda, Front Row Center Denver
"Sci-fi isn't really my genre, and I'm not entirely sure I can trust my opinion on this, but it's entirely possible that Dana Cain's "The Android's New Soul" just might be brilliant."
- John Moore Arts Coverage
"...Fantastic! So fun, great costuming, great music by a live band, great acting, and puppets! Do not miss this show!"
- Andrew Novick
"Nothing short of fabulous... My attention never wandered - not for a second."
- Colleen Bement, Nerd Alert News
- Chris Parente, KWGN News
"Campy sci-fi musical is a blast ... both imaginative and touching"
- Toni Tresca, Onstage Colorado
"...No expense was spared; everything was done first class. A complete multi-layered set designed by Matt Graff and Tim LaGreca gave dimension and drama to the action. They also designed the ominous-looking weapons and whimsical puppets used throughout. The unique costumes designed by Nicole Watts are a wonder to behold."
- Beki Pineda, Front Row Center Denver
"Sci-fi isn't really my genre, and I'm not entirely sure I can trust my opinion on this, but it's entirely possible that Dana Cain's "The Android's New Soul" just might be brilliant."
- John Moore Arts Coverage
"...Fantastic! So fun, great costuming, great music by a live band, great acting, and puppets! Do not miss this show!"
- Andrew Novick
"Nothing short of fabulous... My attention never wandered - not for a second."
- Colleen Bement, Nerd Alert News
OUR FIRST REVIEW!
by Beki Pineda, FrontRowCenterDenver.net
by Beki Pineda, FrontRowCenterDenver.net
THE ANDROID’S NEW SOUL – Book by Dana Cain and Jeff LaGreca; Music by Dana Cain and Mark Putt; Directed by Jeff LaGreca; Music Direction by Mitch Samu; Choreography by Rachel Lessard. Produced by Dana Cain Entertainment (Presented at The Bug Theatre, 3654 Navajo Street, Denver) through September 15. Tickets available at DanaCainEntertainment.com.
I had the extreme pleasure of watching a dream come true tonight. Dana Cain as a teenager in 1974 had an idea for a musical that incorporated all the late-night movies she watched that were the aftermath of atomic bomb tests creating giant mutant bugs. She mixed in a hard rock beat like the groups she heard on the radio and MTV – ELO, Genesis, Kiss, Led Zeppelin. Robotics were in their infant stages but endlessly fascinating in their possibilities. Mix all this together with a beautiful medical technician as the lone survivor of a Big Bomb and you’ve got the outline for a rock musical that took fifty years to finish. But that is still as fresh, creative, and relevant as when it burst from her imagination. Her dream of seeing it come alive on a stage happened tonight at the appropriately named Bug Theatre.
Rock music does not often lend itself to coherence and lucidity. But Ms. Cain wrote melodies that are easy on the ears and singable. Her lyrics actually told the story with clarity and were cleverly rhymed without torturing the syntax. She gave the singers music they could put their hearts into. She created hard-pounding anthems (“What Happened?”), a blatantly raucous make-out song (“FDASS; Funky Disco Android Sex Song”) and heartbreaking ballads (“Please”). Her work incorporates all the “I Wants” of a Broadway musical.
Her work with Jeff LaGreca on the book for the show highlighted their tongue-in-cheek humor, love of in-jokes, and knowledge of how to make satire work. At one point, Stacy and her Android lover Christopher found themselves in an abandoned mansion and decided to stay. He prepares a monthiversary dinner for them and comes on stage in a sparkly jacket he found in a closet asking her, “Does anyone know who Elton John is?” The dialogue is fast-paced, witty to the nth degree, and heartfelt when it needs to be.
Special kudos must be given to the tech crew assembled for this production. It appears that no expense was spared; everything was done first class. A complete multi-layered set designed by Matt Graff and Tim LaGreca gave dimension and drama to the action. They also designed the ominous-looking weapons and whimsical puppets used throughout. The unique costumes designed by Nicole Watts are a wonder to behold. We have Androids in silver suits and helmets; Clones in warlike garb that look like something out of an early Game of Thrones prequel; Disco dollies in puffy miniskirts; and Mutants with three arms, squid and lobster hands, and grass growing out of their heads. OMG – you let it all out on this one, didn’t you!
The projections, designed by Brian Essig-Peppard and manipulated by Kevin Smith, lent a movie-like quality to the proceedings and moved the whole production two levels (at least) higher. During the battle scenes, laser beams were flying overhead, bombs were bursting in air, and all hell was breaking out. One addition to the sound design created by Wayne Kennedy was especially moving. The sound of a wave crashing on the shore as a band of survivors moves together toward hope and the ocean lets us all know that some things are still the same.
But all of this technical and musical bravado would have been for naught without the kickass, balls-to-the-walls, totally committed group of performers who brought the whole thing to life. It never let up for any member of the cast. They were on and off stage in various costumes and characters for the full two hours. The lead characters of Stacy and Christopher, the human doctor and her robot lover, rarely leave the stage and get to remain in their original costumes nearly all the time. There was that one scene . . . but everyone else had multiple roles that required getting into and out of complicated costumes every few minutes. They are to be applauded for their unstinting energy and commitment to their roles and their support of Stacy and Christopher’s love story. Everyone in this cast deserved their moment in the spotlight and got it! I hope when this show goes Off-Broadway, this cast gets to go with it.
Good job, everyone! This is a very short run, folks, in a pretty small theatre. You better get your tickets this weekend, because you won’t be able to get any next weekend.
A WOW factor of 8.75!!
I had the extreme pleasure of watching a dream come true tonight. Dana Cain as a teenager in 1974 had an idea for a musical that incorporated all the late-night movies she watched that were the aftermath of atomic bomb tests creating giant mutant bugs. She mixed in a hard rock beat like the groups she heard on the radio and MTV – ELO, Genesis, Kiss, Led Zeppelin. Robotics were in their infant stages but endlessly fascinating in their possibilities. Mix all this together with a beautiful medical technician as the lone survivor of a Big Bomb and you’ve got the outline for a rock musical that took fifty years to finish. But that is still as fresh, creative, and relevant as when it burst from her imagination. Her dream of seeing it come alive on a stage happened tonight at the appropriately named Bug Theatre.
Rock music does not often lend itself to coherence and lucidity. But Ms. Cain wrote melodies that are easy on the ears and singable. Her lyrics actually told the story with clarity and were cleverly rhymed without torturing the syntax. She gave the singers music they could put their hearts into. She created hard-pounding anthems (“What Happened?”), a blatantly raucous make-out song (“FDASS; Funky Disco Android Sex Song”) and heartbreaking ballads (“Please”). Her work incorporates all the “I Wants” of a Broadway musical.
Her work with Jeff LaGreca on the book for the show highlighted their tongue-in-cheek humor, love of in-jokes, and knowledge of how to make satire work. At one point, Stacy and her Android lover Christopher found themselves in an abandoned mansion and decided to stay. He prepares a monthiversary dinner for them and comes on stage in a sparkly jacket he found in a closet asking her, “Does anyone know who Elton John is?” The dialogue is fast-paced, witty to the nth degree, and heartfelt when it needs to be.
Special kudos must be given to the tech crew assembled for this production. It appears that no expense was spared; everything was done first class. A complete multi-layered set designed by Matt Graff and Tim LaGreca gave dimension and drama to the action. They also designed the ominous-looking weapons and whimsical puppets used throughout. The unique costumes designed by Nicole Watts are a wonder to behold. We have Androids in silver suits and helmets; Clones in warlike garb that look like something out of an early Game of Thrones prequel; Disco dollies in puffy miniskirts; and Mutants with three arms, squid and lobster hands, and grass growing out of their heads. OMG – you let it all out on this one, didn’t you!
The projections, designed by Brian Essig-Peppard and manipulated by Kevin Smith, lent a movie-like quality to the proceedings and moved the whole production two levels (at least) higher. During the battle scenes, laser beams were flying overhead, bombs were bursting in air, and all hell was breaking out. One addition to the sound design created by Wayne Kennedy was especially moving. The sound of a wave crashing on the shore as a band of survivors moves together toward hope and the ocean lets us all know that some things are still the same.
But all of this technical and musical bravado would have been for naught without the kickass, balls-to-the-walls, totally committed group of performers who brought the whole thing to life. It never let up for any member of the cast. They were on and off stage in various costumes and characters for the full two hours. The lead characters of Stacy and Christopher, the human doctor and her robot lover, rarely leave the stage and get to remain in their original costumes nearly all the time. There was that one scene . . . but everyone else had multiple roles that required getting into and out of complicated costumes every few minutes. They are to be applauded for their unstinting energy and commitment to their roles and their support of Stacy and Christopher’s love story. Everyone in this cast deserved their moment in the spotlight and got it! I hope when this show goes Off-Broadway, this cast gets to go with it.
Good job, everyone! This is a very short run, folks, in a pretty small theatre. You better get your tickets this weekend, because you won’t be able to get any next weekend.
A WOW factor of 8.75!!
Stage Show Review Links:
Chris Parente's review: KWGN
Reviews of the Album:
"Imagine if instead of watching B-movies on MST3K, Joel Robinson wrote rock songs. Imagine if Roger Waters wrote sci-fi or if Nicholas Sparks got his hands on the Terminator script and a bottle of whiteout.
...The 22-song album spans the decade like a Time Life Presents tribute to all the great sounds of the 1970s. The combination of electro-synth-spoken word on “Nonstop City,” hard rock anthem “Android Factory,” and the self-explanatory “Funky Disco Android Sex Song” layer into a mix tape that is both nostalgic and new, equal parts kooky and cool." - Denver Westword
"Imagine if instead of watching B-movies on MST3K, Joel Robinson wrote rock songs. Imagine if Roger Waters wrote sci-fi or if Nicholas Sparks got his hands on the Terminator script and a bottle of whiteout.
...The 22-song album spans the decade like a Time Life Presents tribute to all the great sounds of the 1970s. The combination of electro-synth-spoken word on “Nonstop City,” hard rock anthem “Android Factory,” and the self-explanatory “Funky Disco Android Sex Song” layer into a mix tape that is both nostalgic and new, equal parts kooky and cool." - Denver Westword
Suzanne Slade-LaGreca and Matthew Combs star in The Android's New Soul, as Dr. Stacy Starr and KRS-24.
STARRING:
Suzanne Slade-LaGreca – Dr. Stacy Starr
Suzanne is originally from NYC and has performed since age 4 in commercials, film, and stage. Credits: TV-Law & Order, New Amsterdam, Black-ish. Tours- (Maureen) 'Rent'. Off Broadway- (Gino) 'A Day in Hollywood, A Night in the Ukraine'. Regional: (Molly)Peter and the Starcatcher, (The Witch) Into the Woods. Suzanne also co-founded the children's show 'Simon & Simone' and has performed in a plethora of bands and sang the role of Stacy on the 2018 album of The Android's New Soul.
Matthew Combs – KRS-24/Christopher
Originally from Rochester, NY, Matt has been seen on stages in Tennessee, Colorado, Missouri, and even Dominican Republic! Credits: American Idiot, Church & State (JCC CenterStage), Cry Baby, Godspell, The Rocky Horror Show (Roxy Regional Theatre), A Gentleman’s Guide to Love and Murder, Cabaret (Breckenridge Backstage), The Legend of Georgia McBride (Vintage Theatre). Up next, you can catch him as Edgar Allen Poe in “Victorian Horrors” at the Molly Brown House Museum.
Solomon Abell ..... Allen, ensemble
Hayes Burton .... Sarge, Big Hazy, Squiddy, ensemble
Jay Greene .... KRN-9, ensemble
Eli Leon Harvey ... Cassie, ensemble
Andrew Hensel ... KRN-8, Pierre the Roach, ensemble
Addie Lee .... Battle Clone, Android Sister, Marie the Roach ensemble
Cameron Leonard .... Battle Clone, ensemble
Zeah Loren ... Android Sister, Survivor Mom, ensemble
Enzo Rodriguez ... The Administrator, Battle Clone, ensemble
Savannah Vedovatti .... Hazard the Mutant Queen, Android Sister, ensemble
SEE MORE CAST AND CREW INFO AND PHOTOS HERE!
Suzanne Slade-LaGreca – Dr. Stacy Starr
Suzanne is originally from NYC and has performed since age 4 in commercials, film, and stage. Credits: TV-Law & Order, New Amsterdam, Black-ish. Tours- (Maureen) 'Rent'. Off Broadway- (Gino) 'A Day in Hollywood, A Night in the Ukraine'. Regional: (Molly)Peter and the Starcatcher, (The Witch) Into the Woods. Suzanne also co-founded the children's show 'Simon & Simone' and has performed in a plethora of bands and sang the role of Stacy on the 2018 album of The Android's New Soul.
Matthew Combs – KRS-24/Christopher
Originally from Rochester, NY, Matt has been seen on stages in Tennessee, Colorado, Missouri, and even Dominican Republic! Credits: American Idiot, Church & State (JCC CenterStage), Cry Baby, Godspell, The Rocky Horror Show (Roxy Regional Theatre), A Gentleman’s Guide to Love and Murder, Cabaret (Breckenridge Backstage), The Legend of Georgia McBride (Vintage Theatre). Up next, you can catch him as Edgar Allen Poe in “Victorian Horrors” at the Molly Brown House Museum.
Solomon Abell ..... Allen, ensemble
Hayes Burton .... Sarge, Big Hazy, Squiddy, ensemble
Jay Greene .... KRN-9, ensemble
Eli Leon Harvey ... Cassie, ensemble
Andrew Hensel ... KRN-8, Pierre the Roach, ensemble
Addie Lee .... Battle Clone, Android Sister, Marie the Roach ensemble
Cameron Leonard .... Battle Clone, ensemble
Zeah Loren ... Android Sister, Survivor Mom, ensemble
Enzo Rodriguez ... The Administrator, Battle Clone, ensemble
Savannah Vedovatti .... Hazard the Mutant Queen, Android Sister, ensemble
SEE MORE CAST AND CREW INFO AND PHOTOS HERE!
Thanks to our Sponsors:
(Click logos for info)
(Click logos for info)
Visit Acova across the street from the Bug for lunch, dinner and a special Android Power Punch cocktail!
MileHiCon 56 - October 25-27, 2024.
Denver's longest-running Sci-Fi/Fantasy/Horror convention!
Denver's longest-running Sci-Fi/Fantasy/Horror convention!
And Special Thanks to our PATRONS who've donated to our Production!
Michael St. James
Dawn Todd
Annette Stroud
Christopher H. Merrell
Laurie Kobs
Rob Utesch
Addison Smith
Lori Severn
Harriet Keelen-Cain
Android Felser
Jack Oskay
(Get your name on the list when you select your ticket options!)
PRESS RELEASE
The Android’s New Soul, new sci-fi rock musical 50 Years in the Making, debuts Sept. 6 in Denver
“Part romcom, part dystopian drama and all sci-fi rock musical,” is how Dana Cain describes The Android’s New Soul, premiering at the Bug Theater in Denver Sept. 6 – 15.
This World Premiere Sci-Fi Rock Musical, directed by Jeff LaGreca, starring Suzanne Slade-LaGreca and Matthew Combs, began its journey in 1974, when Cain was a senior in a Florida high school. Obsessed with David Bowie’s sci-fi concepts and the sudden wave of rock musicals like Tommy, Phantom of the Paradise and Jesus Christ Superstar, the young songwriter landed on the storyline that would become her rock musical and began work.
The basic storyline hasn’t changed in 50 years: In a radiation-plagued, mutant-filled, post-apocalyptic landscape, a scientist reprograms an android to be her boyfriend.
But changes have happened – in the world, in technology, and today Cain, known for producing popular local festivals, has the resources to manifest her musical. After releasing The Android’s New Soul as a double album in 2018, she knew the next step was to stage it.
When Director Jeff LaGreca partnered with Cain in 2023 to bring the show to the stage, he brought decades of experience in theater directing and writing, along with songwriting chops and a deep-rooted love of science fiction. His credits spanned both coasts, stage and TV gigs, and more importantly, he knew people. LaGreca built a team of experienced theater professionals, flew a Music Director in from New York, conscripted top Denver theater talent, auditioned hundreds of actors and singers … and created a real Dream Team to launch the project.
With a substantial 6-figure budget, the show delivers production values and effects not typically seen at smaller theaters like The Bug. High tech screen projections enhance the backdrops and help create the futuristic landscape. Lighting and sound design require new equipment to be loaded into the 100-year old theater.
“This productions is funded by unicorns, cats and chocolate,” laughs Cain, acknowledging the funding coming in from her Unicorn Festival, Cat Fest Colorado and a series of Colorado Chocolate Festivals.
As the production team and the budget grew, the story grew, too.
“It’s basically the same story I thought up in high school,” says Cain. “But Jeff (LaGreca) encouraged me to fill in some gaps. So now we know more about the characters and what their lives were like before the bomb fell. The relationships are deeper and more complex. The story arcs for each of them have more weight, more drama. Two songs have been added. Scenes and conflicts have been added. Jeff has made it so much better!”
The musical score from the album has also been adapted for the stage. New York-based Music Director Mitch Samu, arranged the musical numbers, created the sheet music and charts for the 4-piece band and the singers, adding sections of harmonies and backing vocals. Samu has over 300 credits as Musical Director, working on shows including Saturday Night Fever, The Lion King, and The Little Shop of Horrors. Cain describes his arrangements as “transcendent.”
“I don’t know if people will believe I actually did this,” she says. “And honestly, I just did the thing that became this. Collaboration made all the difference. The director, the cast, the crew… everyone has left their mark on this musical. I can’t wait for people to see it. I promise it’s going to blow a lot of minds.”
The Android’s New Soul premieres Sept. 6-15, 2024 with 8 performances at the Bug Theater, 3654 Navajo St. in Denver. Tickets are $20 - $30. All ticket holders receive an Android Boyfriend Survival Kit. Get tickets, information, song downloads, and more at www.DanaCainEntertainment.com.
The Android’s New Soul, new sci-fi rock musical 50 Years in the Making, debuts Sept. 6 in Denver
“Part romcom, part dystopian drama and all sci-fi rock musical,” is how Dana Cain describes The Android’s New Soul, premiering at the Bug Theater in Denver Sept. 6 – 15.
This World Premiere Sci-Fi Rock Musical, directed by Jeff LaGreca, starring Suzanne Slade-LaGreca and Matthew Combs, began its journey in 1974, when Cain was a senior in a Florida high school. Obsessed with David Bowie’s sci-fi concepts and the sudden wave of rock musicals like Tommy, Phantom of the Paradise and Jesus Christ Superstar, the young songwriter landed on the storyline that would become her rock musical and began work.
The basic storyline hasn’t changed in 50 years: In a radiation-plagued, mutant-filled, post-apocalyptic landscape, a scientist reprograms an android to be her boyfriend.
But changes have happened – in the world, in technology, and today Cain, known for producing popular local festivals, has the resources to manifest her musical. After releasing The Android’s New Soul as a double album in 2018, she knew the next step was to stage it.
When Director Jeff LaGreca partnered with Cain in 2023 to bring the show to the stage, he brought decades of experience in theater directing and writing, along with songwriting chops and a deep-rooted love of science fiction. His credits spanned both coasts, stage and TV gigs, and more importantly, he knew people. LaGreca built a team of experienced theater professionals, flew a Music Director in from New York, conscripted top Denver theater talent, auditioned hundreds of actors and singers … and created a real Dream Team to launch the project.
With a substantial 6-figure budget, the show delivers production values and effects not typically seen at smaller theaters like The Bug. High tech screen projections enhance the backdrops and help create the futuristic landscape. Lighting and sound design require new equipment to be loaded into the 100-year old theater.
“This productions is funded by unicorns, cats and chocolate,” laughs Cain, acknowledging the funding coming in from her Unicorn Festival, Cat Fest Colorado and a series of Colorado Chocolate Festivals.
As the production team and the budget grew, the story grew, too.
“It’s basically the same story I thought up in high school,” says Cain. “But Jeff (LaGreca) encouraged me to fill in some gaps. So now we know more about the characters and what their lives were like before the bomb fell. The relationships are deeper and more complex. The story arcs for each of them have more weight, more drama. Two songs have been added. Scenes and conflicts have been added. Jeff has made it so much better!”
The musical score from the album has also been adapted for the stage. New York-based Music Director Mitch Samu, arranged the musical numbers, created the sheet music and charts for the 4-piece band and the singers, adding sections of harmonies and backing vocals. Samu has over 300 credits as Musical Director, working on shows including Saturday Night Fever, The Lion King, and The Little Shop of Horrors. Cain describes his arrangements as “transcendent.”
“I don’t know if people will believe I actually did this,” she says. “And honestly, I just did the thing that became this. Collaboration made all the difference. The director, the cast, the crew… everyone has left their mark on this musical. I can’t wait for people to see it. I promise it’s going to blow a lot of minds.”
The Android’s New Soul premieres Sept. 6-15, 2024 with 8 performances at the Bug Theater, 3654 Navajo St. in Denver. Tickets are $20 - $30. All ticket holders receive an Android Boyfriend Survival Kit. Get tickets, information, song downloads, and more at www.DanaCainEntertainment.com.
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30-sec Theme Song opener for Love in Deep Space.
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Header image: Dr. Stacy Starr works at the Android Factory, from The Android's New Soul.
